Wednesday, November 9, 2016

TIPS FOR HEADPHONES AND MONITORS AND MICROPHONE THAT YOU SHOULD KNOW


After treating your room more acoustically sounded, what next? It should be placing and testing your gear. So, here are some of my advices for you. 
  1. Monitors are good for playback. Earphones are extraordinary for recording and direct observing.
  2. For DIY recording, closed-back earphones are best so that the sound coming from your earphones doesn't seep into your mic. Direct monitoring and no latency is basic for multitracking. On the off chance that there are numerous individuals recording or even listening in, you should think about getting an earphone splitter box.
  3. Monitors are essentially special speakers that playback a little in an unexpected way. Speakers offer shading to sound (more profound bass, more keen mids, and so forth) and are better for the normal audience of an aced track. They give you “uncolored sound”. This will give you a precise sound for mixing and altering. At that point make use of your earphones for referencing (otherwise known as listening to the sound as it will be heard in real life).
  4. Setting up your monitors: Set up your monitors with the goal that you are one of the vertices of an equilateral triangle. Measure the distance between your monitors, for instance: 45 inches, then ensure that you are 45 inches away from both of them. This will be the perfect place to listen to your monitor.
  5. Set your levels accurately. In the event that you are direct controlling through headphones, make sure to set the volume level accurately before altering the gain. When your volume is too small, the risk of overcompensating increases and bringing on distortion or an excessively saturated recording.
Microphones Technique
  1. Popping "P" plosives: Pop channels discover these irritating blasts of air that rust your recording. But if you don't happen to have a pop filter, move your vocals to the side of the mic to lessen the direct burst of air far from the most delicate part of the mic.
  2. Distance from the mic: The closeness impact happens as you get nearer to the receiver, the more immersed and louder your sound will get to be. Placing your vocalist roughly six inches from the mic is a decent dependable guideline. Podcasters can be somewhat more distant away, however we wouldn't prescribe anything past a foot to begin. Testing to locate your best source is highly needed.
  3. Pattern: Make sure you choose the proper type of pattern. If just one person do the recording, the best choice would be the cardioid pattern. Omnidirectional pattern will be more suitable for group recording, since it get sounds from all around the room. And certainly it is not your wisest move for individual recording.
  4. Set location: For amplifiers it is essential to remember that they are side location mic. The microphone containers confront outward, not upward. For best results, talk into the side of the mic, don’t point it at you but leave it stand 90 degrees.